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Uncategorized | Moving Target
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SLEEPY HOLLOW COACH CHASE V2

 

2nd Unit Director Alan Munro
Studio Paramount
Director Tim Burton

Director Tim Burton and I have always shared a love for the Hammer horror films of the 60s. What a thrill to actually shoot one — and in England no less. And what a logistical nightmare. The forest was built inside an aircraft hangar — just long enough for the coach to get up to speed. Add to that, the ceiling was only 22 feet high — the horseman’s swinging sword was barely missing the lights. As a result, every edit is pretty much the entire usable piece of film; on the next frame you’re seeing off the set. Painstaking, but worth it. A childhood dream come true.

For a further sampling of my Sleepy Hollow 2nd Unit work, click here. Or if you’d rather look at previous collaborations with Mr. Burton, check this out.

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WHO ELSE IS

OUR PARTNERS IN CRIME 

MUGSY

MIND OVER EYE

VCE, INC.

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WHAT IS

WHAT IS MOVING TARGET?

Experienced.

Brian and Alan first joined forces on The Addams Family, doing effects and 2nd Unit. 100 feature films, 200 national commercials, and a dozen TV shows later they’re still at it. Alan directing, Brian producing. Commercial production, visual effects, title sequences, graphics, 2nd Unit direction, post production, and editing. There’s not a continent they haven’t filmed on or an awkward place they haven’t shoved a camera.

Forward-Looking.

Keeping up with the latest technology is a must. But it’s just a starting point. Around here, forward-looking means sniffing for a fresh approach — be it hi-tech, lo-tech, or no tech at all.

Trusted.

The same clients keep drinking our smoothies and stealing our copies of Us magazine.

Moving Target is lots of other adjectives: Fun, Fast, Enthusiastic, Reliable, Budget-Conscious.

About the only thing we’re not is boring.


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