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2nd Unit Director Alan Munro
Director Tim Burton
Director Tim Burton and I have always shared a love for the Hammer horror films of the 60s. What a thrill to actually shoot one — and in England no less. And what a logistical nightmare. The forest was built inside an aircraft hangar — just long enough for the coach to get up to speed. Add to that, the ceiling was only 22 feet high — the horseman’s swinging sword was barely missing the lights. As a result, every edit is pretty much the entire usable piece of film; on the next frame you’re seeing off the set. Painstaking, but worth it. A childhood dream come true.
For a further sampling of my Sleepy Hollow 2nd Unit work, click here. Or if you’d rather look at previous collaborations with Mr. Burton, check this out.
WHAT IS MOVING TARGET?
Brian and Alan first joined forces on The Addams Family, doing effects and 2nd Unit. 100 feature films, 200 national commercials, and a dozen TV shows later they’re still at it. Alan directing, Brian producing. Commercial production, visual effects, title sequences, graphics, 2nd Unit direction, post production, and editing. There’s not a continent they haven’t filmed on or an awkward place they haven’t shoved a camera.
Keeping up with the latest technology is a must. But it’s just a starting point. Around here, forward-looking means sniffing for a fresh approach — be it hi-tech, lo-tech, or no tech at all.
The same clients keep drinking our smoothies and stealing our copies of Us magazine.
Moving Target is lots of other adjectives: Fun, Fast, Enthusiastic, Reliable, Budget-Conscious.
About the only thing we’re not is boring.