Designer/Director Alan Munro
Producer Brian Jochum
Studio The Weinstein Company
Director John Wells

Despite its simplicity, this sequence was quite an ordeal. Lots of cuts, recuts and general fiddling with the video clips. Thanks to ace editor Rob Frazen the credits have a gradually accelerating tempo which gives the whole scene a wonderful sense of anticipation. Always great when the titles can set the scene and the mood.

In case you didn’t notice (and we’re hoping you didn’t), the shot of Ben’s car arriving at the GTX Building is a matte painting. For more of our Company Men effects work, watch this.

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