VFX Supervisor Alan Munro
VFX Producer Brian Jochum
Studio The Weinstein Company
Director John Wells

With any straight drama, the fx work has to be seamless. Hard enough, but when you add a director with an impeccable eye and master cinematographer Roger Deakins, you’ve got yourself some serious challenges. Like for instance, replacing a modest office building with a sprawling multi-national corporate complex. Or transforming an emerald spring day into Halloween. Numerically, it wasn’t a lot of shots; technically, it pretty much ran the gamut. Tough, but worth every lost hour of sleep. The film is an under-appreciated gem.

Click here to see the full length autumn sequence, here to see the other matte paintings, and here to see the main title sequence. It’s all worth a look.

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